The volume has a place on the desk of every reference librarian at the college and university level." Bryn Mawr Classical Review “These essays, as would be expected from their authors, manifest a high standard of scholarship and familiarity with current understandings. Bushnell’s edition gives the reader a sense of the scope and fertility of the most current scholarship on the genre." ( Journal of Hellenic Studies, February 2009) The present volume serves these objectives well. "The Blackwell Companions series is intended to orientate the beginning student in new fields of study while providing the graduate and experienced undergraduate with current and new directions.
Part VI Neoclassical and Romantic Tragedy 371Ģ1 Neoclassical Dramatic Theory in Seventeenth-Century France 373Ģ2 French Neoclassical Tragedy: Corneille/Racine 393Ģ3 Romantic Tragic Drama and its Eighteenth-Century Precursors: Remaking British Tragedy 411Ģ4 German Classical Tragedy: Lessing, Goethe, Schiller, Kleist, and Büchner 435Ģ6 Modern Theater and the Tragic in Europe 471Ģ7 Tragedy in the Modern American Theater 488Ģ8 Using Tragedy against its Makers: Some African and Caribbean Instances 505 Part V Renaissance and Baroque Tragedy 287ġ7 The Fall of Princes: The Classical and Medieval Roots of English Renaissance Tragedy 289ġ8 Something is Rotten: English Renaissance Tragedies of State 307Ģ0 Spanish Golden Age Tragedy: From Cervantes to Caldero´n 351 Part II Tragedy, Philosophy, and Psychoanalysis 39ģ Aristotle’s Poetics: A Defense of Tragic Fiction 41Ĥ The Greatness and Limits of Hegel’s Theory of Tragedy 51Ħ Tragedy and Psychoanalysis: Freud and Lacan 88ġ3 The Tragic Choral Group: Dramatic Roles and Social Functions 215Ĭlaude Calame, translated by Dan Edelsteinġ5 Aristophanes, Old Comedy, and Greek Tragedy 251
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